BACKGROUND:
Here I feature anomalies I discovered in five NASA Mars Reconnaissance Orbiter (MRO) HiRISE photographs:
https://www.uahirise.org/ESP_032354_1165
https://www.uahirise.org/ESP_092683_1190
https://www.uahirise.org/ESP_013877_1270
https://www.uahirise.org/ESP_013864_1220
https://www.uahirise.org/ESP_083467_1160
ANALYSIS:
Featured in this presentation are six highly compelling objects that are generally similar in appearance. They all have what look like openings on their sides. I compare then to jet intake ducts that we find on fighter jets here on Earth; not that they are. Could these objects be pieces of wreckage, wind-traps or ventalation openings?
As always, until we get to see these anomalies up close and personal and investigate them in detail, I can only speculate as to what these objects might be.
THE ANOMALIES ON MARS:
Following are cropped images taken from the original Mars Reconnaissance Orbiter (MRO) HiRISE camera photographs as well as close-up views of the anomalies:
MY YOUTUBE VIDEO:
SPECIAL EDITION | Similar Objects on Mars:
ORIGINAL NASA SOURCE:
https://www.uahirise.org/ESP_032354_1165
https://www.uahirise.org/ESP_092683_1190
https://www.uahirise.org/ESP_013877_1270
https://www.uahirise.org/ESP_013864_1220
https://www.uahirise.org/ESP_083467_1160
HiVIEW JP2 PHOTOGRAPH VIEWER:
Download the NASA JP2 photograph viewer at the link below should you want to view the NASA JP2 photograph:
https://pirlwww.lpl.arizona.edu/software/HiView/download.php
IMAGE UPSCALING:
To see more examples of how well this image upscaler works and to read about the technology used please refer to the following web page:
https://www.topazlabs.com/topaz-gigapixel
Gigapixel is not your run-of-the-mill free AI image upscaler. It is expensive, sophisticated software which uses deconvolution mathematical algorithm’s to upscale, preserving original detail and minimizing noise. Gigapixel is used by agencies such as NASA, studios and professional photographers around the world.
NASA uses Topaz Labs upscaling technology:
https://www.linkedin.com/company/topaz-labs/about/
RESEARCHER, PRODUCER AND DESIGNER: Jean Ward
https://megalithicmars.com
https://x.com/JeanWardMars
https://www.youtube.com/JeanWard
https://www.raptorzone.co.za
https://wxsat.raptorzone.co.za
IMPORTANT NOTE:
My Intro and Outro Theme (including the soundtrack), Social Media Profile Pic/Logo and Theme are copyright. None of the graphics (including the soundtrack) may be copied and used without my permission.
Should my work and research material be used, include the reference to the source:
“Jean Ward, Independent Mars Researcher: https://www.youtube.com/jeanward”
My work and research is public domain and free but I do ask that I’m credited when my work is used.
CONTRIBUTIONS (PayPal):
Your contribution, no matter how small, will help me to cover my Internet fees which include broadband access and hosting of my Blog. The NASA photographs I download for my research are huge thus the need for broadband, high data access. Your support is very highly appreciated:
https://www.paypal.me/JeanWardYouTube
DISCLAIMER:
Many or all of the anomalies/artefacts covered in this presentation may be naturally occurring geological features caused by some type of geological processes, however due to the lack of specific information from the source we can only speculate whether these are all natural or some artificial in nature.
In cases where I say an anomaly looks like something I’m attempting to clarify what I see and not specifically that the anomaly is what I say it looks like.
My intention is only to share anomalies I’ve discovered on Mars and not to convince anyone that there is or was a civilization on Mars.
As Will Farrar from WhatsUpInTheSky says: “I see what I see, you see what you see.”
FAIR USE NOTICE:
This presentation might contain copyrighted material, the use of which has not specifically been authorized by the copyright owner/s. I distribute this material for the purpose of news reporting, educational research, comment and criticism, constituting Fair Use under 17 U.S.C § 107. Please contact me with any copyright issue/s.